Beginnings (the start of a visual journey in 2010)

Many widely recognized yearly photographic efforts are made by the likes of Jim Brandenburg, among others, but I decided to undertake this series for many reasons. The first spark occurred when I came across a collaborative daily blog turned written documentation, A Year of Mornings, which appealed in a human way. It was a part of the photographers' daily lives, a document of the passage of time, as well as an aesthetic effort.

This project is designed to amass a series of related and unrelated images as they flow and feed off of each other, creating a vision of a whole year of experience.

A larger reason to shoot so much was to force myself to continue to push images. Some days I have projects in mind, other days I'm inspired with a flash of insight, and some days I think, "damn, what am I going to create tonight?" Either way, I've kept going.

When this series began I thought of it as a 365+ project because the goal was to have the equivalent of a year's worth of daily images that would follow and reveal twelve months. But, because I'm also working and a full-time graduate student as well as a human being with other interests, I gave myself the leeway of not photographing every day, so long as the final number of images surpasses 365. When I began posting on a social network site, I started by sharing an average of two photographs a day; by the end of January it looked as though the quantitative goal would be reached halfway through the year. I tend to work in series and like to show context, so a challenge has been paring down daily posts to just one or two images. With this blog I will try to be more particular and share no more than two photos per day.

Thus far, we're 1/12th of the way through and not a day has been missed. More importantly, though, I feel the tendrils of inspiration not previously imagined, and for that reason, this already feels like a success.

Please enjoy, contemplate, comment and share with your friends.

Quarterlings

March is drawing to a close, which marks the completion of 1/4 of the year and this project.

Reviewing the images I'm pleased by some and bored by others. Many photographs would not make the cut were it not a daily regimen. But, though I missed one day due to illness and, technically supplanted one day's picture amongst its vacation brethren during the week and a half of Alaska photos, the gears are still rolling.

The images I've been more pleased with have been the light/color compositions, although projects such as the water droplets, reverse lens macro, smoke and TTV photography were also highlights. Where I seem to grow stagnant are with images relating more directly to documenting me or my life, especially the mundane, but perhaps that's personal perception. April will be kicked off with a weekend in Chicago.

Keep on checking in as I keep on keepin' on. Recent layout goodies includes the ability for you, oh honored viewer, to rate posts and vote on imagery types.

Middlings

As June winds down, 365+ nears its crest. Counting back, however, just over one hundred images remain to be posted.

These past few months I've embraced the loose design of the project and shifted into a relaxed schedule of posts. In favor of sharing greater context and more consistently solid imagery while maintaining an eye on the year as a whole, I may not shoot or post every day, but continue to translate the spirit of the time. Early July marks the beginning of the descent and holds the promise of visual adventure as I head back to Alaska.

Please be aware of new links on the right column noting Artists, inspiration and intriguing ideas or commentary.
*Clicking on most photos will enlarge the image*

Wednesday, April 7, 2010

April 7 ~ opticulars

So, check this out:
My eyes see things through a pair of those.

Well, I bought two new pair of glasses and like the frames (what you're not seeing b/c it's not important to this post is the bling on the third image's franes ... a sparkly floral design on each side... totally gives me street cred in the art world), but noticed tonight that the lenses seem awfully big, especially as it was particularly suggested that I buy the polycarbonate lenses, same as the last pair, in order to keep them small and thin. Observe one of the new lenses compared with the old ones:


Albeit, the frames are slightly bigger and the prescription changed a little, but the optometrist said it was the smallest change he could possibly make. So, I'm curious as to why the lenses are so different, if it's supposedly the same material and such a similar recipe of nearsightedness. I'm also curious why the salesperson didn't inquire about polishing, since the older pair are much smoother and more transparent around the edges than the new coke bottle lookin' ones, and, although I deal with optics all the time, I didn't even think of it.


This may require further investigation.


Gear: Nikon D90, Nikkor AF 50mm f/1.4, stack of close-up filters
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